Jerry Garcia Would Approve

Seth Godin had an interesting post today about patience. To take his thinking one step further, I think that when you're deciding whether or not to hang in there when you're not getting anywhere (or think you're not) it all comes down to one critical moment of truth. Actually, thousands of critical moments of truth. That's where the whole problem lives.

Which brings me, of course, to Jerry Garcia.

I have been a huge Grateful Dead fan for about the last thirty years. In a way, it's why I eventually moved to the Bay Area. And as anyone who knows the Dead knows, the really transcendent player in the band was Garcia. When I was sixteen, I first heard one of his solos, and I was stunned. Lightning-fast, beautiful, and overflowing with harmonic ideas and melodies that were completely improvised and that just kept coming and coming and coming. As far as I'm concerned, the only person who can come close to him is Duane Allman.

And all the hippie schtick aside, all the drugs aside, the constant wearing of the black t-shirt aside, the thing that made Garcia Garcia was actually two things. First, an incredible natural talent. And second, he practiced ALL THE TIME.

Here's a passage from a book by Rock Scully, who managed the band for almost twenty years:

Garcia's a perfect maniac about practicing. That's his primary addiction. He's got to be playing all the time. On the road, in his hotel room, he's constantly going through his chord books, shopping for new ones when he's in New York, haunting the old music stores, scouring Brill Building music shops in an endless quest for finger exercises and chord charts ... Garcia raids technical manuals that the Fender guitar company put out. Leo Fender understood better than anybody how to get the most out of your solid-body guitar. All the variations you can run on a theme, exercise books. Jerry practices all the time. Just chords upon chords upon chords, all the possible configurations for fingering and diagrams for picking.

The result is that he can play basically anything he wants beautifully, fast and creatively. Consequently, some of the Dead's best-known songs, the ones you really fall in love with if you're into the Dead, are really hard to play. One of my favorites is "Eyes of the World" -- take a look at this version from 1991. This isn't even his best, but it's still amazing. To get some sense of how amazing it is, here's a guy who's an online guitar teacher talking about how hard the song is to play. As he says, being able to play this song is why Jerry is Jerry. It's not the funny hair, or the weirdness, or the drugs. It's dedicating your life to being so good at what you do that you can just rip through a song that professional guitar players have a very hard time with. Not a lot of people know this about him, but it's true.

The kind of patience Godin writes about, and Garcia is an example of, is not some mystical quality. It's the day in and day out habit of making the right decisions thousands and thousands of times. It's little victories that, over a long time, keep adding up. Every time, if you're Garcia, you pick up your guitar and a chord book in your hotel room, and work on your fingering for an hour instead of going out and getting wrecked, is another right decision, another small step towards excellence, and success. Patience is really just making the decision not to quit over and over and over again.

Comments

[Seth Godin]

I loved every word of this post.

Thank you.

[Patrick]

As a professional musician myself, for over thirty years, I find it hard to believe he ever practiced. Unless he suffered from a short term memory disorder and immediately forgot everything. Harmonic ideas? Triads and maybe a seventh chord here or there were the most you could hope for from them/him. I enjoy simple music very much, the Dead played simple music. there was no harmonic or melodic complexity. they were fun...NOT adventurers or groundbreakers. Let's please try to maintain some perspective.

[Peter Darling]

Dude, you are totally harshing on my mellow.

[Sailon]

Patrick maybe your on drugs. Men like Jeff Beck and Eric Clapton have publically said that Jerry Garcia was the best guitar player who ever lived. They know what their talking about sir.

[Counselor]

Where to start, where to start indeed. Best to grab an angle and just dive in...

Clapton has said on several occasions that Duane Allman is the greatest guitar player to have ever touched the instrument. I tend to agree (with a few caveats on the general ranking of musicians explained below). From the end of Layla to the early Allmans shows to his simple but stunning studio work backing the likes of Wilson Pickett (listen to Pickett's version of "Hey Jude" with ear trained on the guitar at the end), Duane had a soul, speed and intensity to his playing that no blues-based or slide player has matched since. In my opinion, of course, all of this being subjective.

Which leads to a second point. Jerry Garcia is every bit as good as Clapton, Beck, Page and Allman. Comparing the wildly divergent styles of these players and attempting to rank them is silly. None of them sound anything like each other save a few similarities between Beck and Page, both of whom played a lot of overheated and at times seemingly uncontrolled solos. I say seemingly because a lot of Zeppelin fans will tell you Page played a lot of ragged runs on purpose.

I can't speak to the musician's comment on the intricacies of Garcia's playing, but I can say this - millions and millions of serious music nuts can't be wrong. These people aren't Britney Spears fans or the sort of screwheads who run out and pick up Nickelback records. Dead fans tend to be discerning listeners. And even if Garcia wasn't exactly the technical wizard presented here, he had a style unlike any other player. Good or bad or mediocre you know a Jerry solo when you hear it and if you appreciated the elegant lines he played, you loved it. It was, as the author notes, transcendent. That's a hell of an achievement for any musician, far more impressive than satisfaction of a critic's technical standards.

It's more than mere fingering, execution or proficiency... And that leads this long winded bit back to the initial point of the post. Practice is important, but I would submit that practice without talent isn't worth a lot. Garcia had a gift. Without that, he could have practiced until the remaining four tips of his fingers fell off and he probably wouldn't have achieved much. Tenacity and determination are oddly considered traits in our culture, simultaneously over and under rated by so many.

All that said, I'm glad Jerry practiced as he did. If not for his rigid regimen following his diabetic coma in the late Eighties - as a result of which he forgot how to play entirely - we wouldn't have those great early Nineties shows.

[Patrick]

As I said before, Jerry and the dead were fun. What I didn't say is that I am also a fan. Fun can be inspiring. Fun is not necessarily groundbreaking.
Peter Darling...time to grow up and read whole paragraphs!
L8R

[Pavan K]

Great take on Seth's thoughts, really pleased I clicked through. Thanks. Quitting is never an option if the individual/entrepreneur cares deeply enough. Articles like this strengthen that resolve...

[Bette]

Thanks for this. I didn't realize that Jerry practiced non-stop. He was so good. Never quit! jooloo

[Bette]

Thanks for this. I didn't realize that Jerry practiced non-stop. He was so good. Never quit! jooloo

[Bette]

Thanks for this. I didn't realize that Jerry practiced non-stop. He was so good. Never quit! jooloo

[Bette]

Sorry. jooloo

[Alexa Weber Morales]

I too am a professional musician. Rather than comment on Jerry Garcia's prowess I'll just say that it's inspiring to think that he never stopped practicing and seeking out new sources of musical knowledge despite enormous success -- the kind of success that would have inspired many to rest on their laurels. That's cool. Thank you!

[OSR]

The phenomenon of people believing that certain great musicians do not practice is quite common. It was long believed that Franz Liszt, the great piano virtuoso, never practiced - until research showed that he practised 10 or 12 hours per day, and diligently. Practice is basically training, it is repititious, dull and difficult.
Anyway thanks for the article, inspiring.

[Red]

Isn't it all just a simple, "Do what you love"?? and I think the ending is, "and the money will follow"?
Just Jerry and his guitar doing what he loved...

Red